Amos Eno Gallery is pleased to present Jane Anger, an exhibition of new works by Rosemary Meza-DesPlas. Jane Anger features hand-sewn human hair drawings, watercolors and onsite installations. The title refers to a 16th century pamphlet published in England titled Jane Anger, Her Protection for Women. The exhibition runs until February 24th at the gallery’s location at 56 Bogart Street in Brooklyn, NY.
“Every woman has a well-stocked arsenal of anger potentially useful against those oppressions, personal and institutional, which brought that anger into being.” –Audre Lourde
Meza-DesPlas explores the concept of anger as a tool for change by juxtaposing found imagery from social media, art history and mass media. She is interested in how the social movements, Women’s Marches and #MeToo, harnessed anger in order to forefront an array of gender-based burdens.
This exhibition includes Meza-DesPlas’ most recent drawings which incorporate her gray hair. She has been sewing with her own hair since 2000. Her hair is hand-sewn into a variety of grounds with small embroidery needles. Meza-DesPlas’ decision to collect, sort and utilize hair as a vehicle for art-making is informed by socio-cultural symbolism, feminism and body issues, and religious symbolism.
Note on Floor Installation:
These Boots Are Gonna Walk All Over You, 2018
Gallery visitors are encouraged to walk on the vinyl floor applique. This floor piece, comprised of abstract portraits, depicts various men accused of sexual harassment, assault, and/or misconduct. To walk all over someone means –
- Treat them with contempt
- To treat someone badly
- To disrespect
- To dominate a person
- To make someone feel inferior
While a small gesture, walking over these perpetrators can provide a sense of empowerment. As you walk across the floor applique, contemplate your personal experiences with sexual harassment, assault, and/or misconduct.
Conversations * Self-reflection * Accountability * Social Transformation
“I was born and raised in Garland, Texas; a manufacturing-based suburb of Dallas. My parents’ heritage is rooted south of the US border: my mother was born in Allende located in Coahuila, Mexico. My father, born in Santa Maria, Texas, grew up in Tampico situated within Tamaulipas, Mexico. The tenacity of my eight aunts in the face of personal tragedies and adversities was an early inspiration; their narratives contributed to my embrace of feminist ideology.”
Rosemary Meza-DesPlas currently lives in Farmington, New Mexico. The cornerstone of her artwork is the female experience within a patriarchal society. As a woman, daily navigation of our world is a precarious tight-rope walk. The use of portraiture to discuss gender-based burdens personalizes the political. Intricate drawings are created by meticulous stitching of human hair. The dichotomy of human hair, depending upon context, is it can be engaging or off-putting: long, luxurious hair is sexy, but a hair in one’s soup is unappealing. Meza-DesPlas seduces the viewer with elegant, sensual marks of hair. Thematically, her artworks advocate for gender equality and women’s empowerment. Through on-site drawing installations and watercolor paintings, Meza-DesPlas evokes intellectual and visceral responses to socio-cultural burdens endured by women; these burdens and their subsequent impact on contemporary culture are interpreted through a global lens.
She earned a MFA from Maryland Institute, College of Art (Hoffberger School of Painting) and a BFA from the University of North Texas. Her artwork has been exhibited at numerous galleries and museums throughout the United States, Europe and Asia. Her work has been written about in several publications including the Huffington Post, Dallas Morning News, The Durango Herald, Wall Street International, and Interview Magazine. Ms. Meza-DesPlas parallels the themes in her visual artwork with the written word and spoken word performances.
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